@misc{Bernatowicz_Wojciech_Mity,
 author={Bernatowicz, Wojciech},
 howpublished={online},
 publisher={Kraków ; Skarbona: Stowarzyszenie Polskich Muzyków Kameralistów},
 language={pol},
 abstract={This article is on the myths in the American musical theatre, and formulae of the representation in musicals. The first of them will concern the musicals, which constructs the myth of USA seen through the lens of the American society; the second will be on the issue of the orientalism in the musical theatre which formats the vision of society in the context of orientalist clichés.},
 abstract={The introduction will provide the historical framework of the formation of the American musical theatre in the 19th and 20th centuries. In the second part of the paper there will be made the analysis of two musicals, George M. Cohan's Little Johnny Jones (1904) and Rodgers and Hammerstein's Oklahoma! (1943), which created the myth of the American patriotism. The last part will be the analytical study on Rodgers and Hammerstein South Pacific (1943) and The King and I (1951) in the context of the orientalist visions of American on foreign cultures and on themselves.},
 type={rozdział w książce},
 title={Mity w musicalu społecznym. Amerykanie o sobie i innych = Myths in the socially involved musicals. Americans on themselves, and others},
 keywords={musical, musical comedy, teatr muzyczny, narodowość, orientalizm, amerykanizm, mit, musical theater, nationality, orientalism, Americanism, myth},
}