@misc{Ratajczak_Marta_Odziedziczona, author={Ratajczak, Marta}, howpublished={online}, publisher={Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego}, language={pol}, abstract={This paper is devoted to the feminine experience of the world and history of the World War II period, with particular emphasis on regional history (Silesia as a palimpsest), as well as the consequences of the war, which turns out to be crucial not only for its direct victims but also for their descendants.}, abstract={It is shown that in the multivocal and multigenerational female choir from the novel by Ulrike Draesner the individual voices do not produce disharmony but rather complement one another, thus creating new opportunities for perceiving the same problem. Subjective perception of reality becomes a new way in which the first-person narrators meet their goal, which is better understanding of human nature and of themselves.}, abstract={Silesia and "Kresy" (the Borderlands) are depicted by Draesner as memorial places that significantly influence the perception of reality by those who have experienced their loss and by subsequent generations. This problem is in fact "inherited" from one generation to the next, with the myth of a lost homeland clearly evolving. Personality and nationality (the influence of generational, family and collective memory) also play an important role.}, type={rozdział w książce}, title={Odziedziczona trauma, czyli kobiece doświadczanie pamięci regionalnej na przykładzie Śląska w powieści Ulrike Draesner "Sieben Sprünge vom Rand der Welt" ("Siedem skoków z krańca świata") = An inherited trauma, or the feminine experience of regional memory using the example of Silesia in the novel "Sieben Sprünge vom Rand der Welt" ("Seven jumps from the edge of the world") by Ulrike Draesner}, keywords={II (druga) wojna światowa, II world war, woman, Silesia, borderland, wypędzeni, kobieta, trauma, Śląsk, Kresy}, }