@misc{Piotrowska_Anna_G._"The,
 author={Piotrowska, Anna G.},
 howpublished={online},
 publisher={Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego},
 language={pol},
 language={eng},
 abstract={Considered a musical monument to the Austro-Hungarian Empire "The Gypsy Baron" (originally "Der Zigeunerbaron") of 1885 composed by Johann Strauss II (1825-1899) reveals how important position Maria eresia had in the Empire in the long nineteenth century. It is also a great example of keeping, in Vienna at the end of the nineteenth century, hold of the memory of her politics.},
 abstract={"The Gypsy Baron" is clearly the work inscribed into political situation as it constituted a specific response to a concrete need to stimulate civil attitudes (so desired within the Empire at that time). Treating "The Gypsy Baron" as a case study, the paper suggests that although the world of operetta might be overlooked or underestimated when discussing the role of political propaganda and the issues of collective memory. It should be recognized as one of the key sites employed to promote the Habsburgs` vision of their Empire.},
 type={artykuł},
 title={"The Gypsy Baron" Operetta (1885) as a musical document of a certain age = Operetka "Baron cygański" (1885) jako muzyczny dokument pewnej epoki},
 keywords={Maria Teresa Walburga Amalia Christina von Habsburg (1717-1780), "The Gypsy Baron", "Der Zigeunerbaron", operetta, operetka, Gypsies in music, Strauss, Johann (syn) (kompozytor austriacki; 1825-1899), "Baron cygański"},
}