@misc{Niewdana_Agnieszka_Ile,
 author={Niewdana, Agnieszka},
 howpublished={online},
 publisher={Zielona Góra: Uniwersytet Zielonogórski, Instytut Filologii Polskiej},
 language={pol},
 abstract={How much is the author in his text, painting or sculpture? It would seem that such a question should not be asked, because here it is the work itself that counts. The author could be completely ignored or only mentioned; a short biographical note did not really bring anything relevant in the context of the discussed piece of his work. However, for me, the figure behind the signature on a book or under a photograph always mattered. A special case in this situation is the Krakow-based writer Jan Józef Szczepański. A few years ago, an expert and researcher of Conrad, but also of the author of "Polish Autumn" [Polska jesień], proposed an autobiographical reading of Szczepański`s work.},
 abstract={The four keys to help in reading, understanding and interpreting the widely understood work are as follows: generational, biographical, experience of life under totalitarian systems and Joseph Conrad­Korzeniowski. As a whole, they relate to the extremely colorful biography of the author of "Icarus" [Ikar]. However, they present a kind of reading, research challenge, and new light has been shed on Zabierowski`s proposal by Szczepański`s "Diaries" [Dziennik], published since 2011.},
 type={artykuł},
 title={Ile jest pisarza w jego książkach? Na przykładzie wyboru z twórczości Jana Józefa Szczepańskiego = How much is the writer in his books? Based on the example of a selection from the works by Jan Józef Szczepański},
 keywords={Szczepański, Jan Józef (1919-2003), Szczepański, Jan Józef (1919-2003) - Portki Odyssa, autobiografizm, biografia, autor, pisarz polski, autobiography, biography, author, writer},
}