Object
Title: I too am a black woman: Terry McMillan and the reimagining of the contemporary black woman in "Getting to Happy"
Contributor:
Łobodziec, Agnieszka - red. nauk. ; Fondo, Blossom N. - red. nauk.
Group publication title:
Abstract:
Identity in the African American context has often meant racial identity. This is explained by the deeply racialized society in which blacks had to live in America and where, by virtue of their racial identity, they were the subjects of gross abuses. As a consequence, race became the main thrust of much of African American literature. ; The rise of literature by black women witnessed the addition of gender to the race question as these women sought to illustrate what it means to be black and female in America. The gains of the Civil Rights Movement which included a marked improvement in the status and circumstances of African Americans (even if much still remains to be desired), encouraged writers to begin addressing other aspects of the African American reality. ; Terry McMillan is one of such writers whose popular fiction has not made race her central focus. She focuses especially on the experiences of the contemporary African American woman away from the racial perspective. Her works have come under harsh scrutiny and they have been considered apolitical and consequently irrelevant to the African American community. ; The purpose of this paper is to contest these accusations by underlining the ways the issues McMillan raises in her novel "Getting to Happy" constitute a worthwhile contribution to the discourse of identity in African American literature. My main argument is that the quest for selfhood by the women in this novel disrupts the stereotyped version of African American women and is therefore politically relevant. ; I underscore that, because identity is multidimensional and dynamic, Mcmillan`s "Getting to Happy" fulfills the important task of imagining African American female identity from another perspective and through this McMillan crafts a new black womanhood not entirely dependent on race.
Publisher:
Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego
Format:
Resource Identifier:
Pages:
Source:
Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, tom 12
Language:
Rights:
Biblioteka Uniwersytetu Zielonogórskiego
Object collections:
- Digital Library of Zielona Góra > Repository > Faculties > Faculty of Humanities
- Digital Library of Zielona Góra > Repository > Types of work > Chapters in books
- Digital Library of Zielona Góra > Repository > Scientific journals and UZ publishing series > Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana
Last modified:
Feb 19, 2024
In our library since:
Feb 16, 2024
Number of object content hits:
56
All available object's versions:
https://zbc.uz.zgora.pl/publication/87474
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 16: Na ścieżkach biografii i autobiografii
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 12: From Essentialism to Choice: American Cultural Identities and Their Literary Representations
- Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 12: From Essentialism to Choice: American Cultural Identities and Their Literary Representations - table of contents and introduction
- Hybridity in Morrison`s "The bluest eye": the dialogic formation of Claudia`s self
- Questioning Blacks` existence in America: Toni Morrison`s vision of black beauty in "God help the child"
- "I changed because I wanted to" - identity performance in Bharati Mukherjee?s selected works
- I too am a black woman: Terry McMillan and the reimagining of the contemporary black woman in "Getting to Happy"
- Girlish gaiety: 1950s collectively-authored femininity in James Baldwin`s "Giovanni`s room" and the miss rheingold advertising campaign
- "Out here... trash rises": refiguring white trash female identities, historicized bodies and the role of bodily fragmentation in Dorothy Allison`s "Bastard out of Carolina"
- (Re)imagining race, gender, and class as choice in Octavia Butler`s "Wild Seed"
- Negotiating identity through sports and outdoor in Jack London`s fiction
- White pole dilemma in James Baldwin`s "Another Country"
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 11: Kobiety-pisarki, kobiety-bohaterki
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 9: Kryminal: okna na świat
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 8: Kultura nie tylko literacka. W kręgu myśli Karola Wojtyły - Jana Pawła II. Część I
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 7: American Literature and Intercultural Discourses
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 6: Literatura a film
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 5: Kryminał: między tradycją a nowatorstwem
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 4: "Obcy świat" w dyskursie europejskim
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 3: Eugeniusz Sue: życie - twórczość - recepcja: wydanie specjalne
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 2: Historia i historie
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 1: Interpretacje i reinterpretacje
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Zeszyty Naukowe Uniwersytetu Zielonogórskiego: Seria Scripta Humana, t. 18: Mickiewicz i jego dziedzictwo. W 200. rocznicę wydania "Ballad i romansów"
| Edition name | Date |
|---|---|
| I too am a black woman: Terry McMillan and the reimagining of the contemporary black woman in "Getting to Happy" | Feb 19, 2024 |
